Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, The Tree, 2016.

on 15 Ott 2016
in dinamics robotics - automations, scenography - scenografia, special effect - make up, theatre - teatro
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with Commenti disabilitati su Odin Teatret by Eugenio Barba, The Tree, 2016.

Odin Teatret by Eugenio Barba,

THE TREE, 2016.

Plastikart Studio: Design and construction of the mechanical Tree

Actors: Luis Alonso, Parvathy Baul, I Wayan Bawa, Kai Bredholt, Roberta Carreri, Elena Floris, Donald Kitt, Carolina Pizarro, Fausto Pro, Iben Nagel Rasmussen, Julia Varley.

 

Director: Eugenio Barba

Scenic space: Luca Ruzza, Odin Teatret

Lighting designer: Lucca Ruzza, OpenLab Company.

Lighting adviser: Jesper Kongshaug

Tree conception and realisation: Giovanna Amoroso and Istvan Zimmermann, Plastikart.

Software programming: Massimo Zomparelli

Costumes and props: Odin Teatret

Poster: Barbara Kaczmarek

Musical director: Elena Floris.

Technical director: Fausto Pro

Puppets: Niels Kristian Brinth, Fabio Butera, Samir Muhamad, I Gusti Made Lod.

Dolls’ heads: Signe Herlevsen

Photos: Rina Skeel

Dramaturg: Thomas Bredsdorff

Literary adviser: Nando Taviani

Text: Odin Teatret

Director’s assistants: Elena Floris, Julia Varley

Duration: 80 min.

Dedicated to Inger Landsted.

The tree of History grows vigorously and dead. Around it, child-soldiers and praying monks dance together with warlords, a wrathful mother, and the daughter of a poet who, as a child, dreamed of flying away with her father.

Two story-tellers introduce and comment upon characters and events: in the Syrian desert two Yazidi monks plant a pear tree to call back the birds that have disappeared; in Nigeria a mother rests under the shadow of the tree of forgetfulness holding in her arms the head of her daughter hidden in a gourd; a European warlord explains the necessity for ethnic cleansing to an African warlord who performs a human sacrifice to make his army of child soldiers invulnerable before leading them into battle; a girl plays with her dolls around the tree her father planted when she was born, wondering how birds see the earth from the air.

The tree of History finally bends under the weight of fruit and offers a home to the birds that are flying over the heads of the spectators. But what kind of birds are they?

First performance: Holstebro, 23 September 2016, Production: Nordisk Teaterlaboratorium(Holstebro), The Grotowski Institute/Wroclaw European Capital of Culture 2016 (Poland), The Hungarian National Theatre (Budapest)

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree. photo: Open Lab Company

Odin Teatret by Eugenio Barba, THE TREE, 2016. Plastikart Studio: Design and construction of the mechanical tree. photo: Open Lab Company

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